

Surprisingly, the MX3282 doesn't take this approach, being more of a traditional split console, with the inputs and outputs (subgroups, monitor and master fader) fully separate. When it comes to giving compact mixers the maximum number of inputs, the in‑line design rules channel strips provide both input and monitor signal paths, with the monitor section magically providing extra inputs at mixdown, effectively doubling the total. In the studio, you'll welcome the low‑noise balanced mic preamps (with a claimed bandwidth of 5‑100Hz), the flexible solo system (Pre‑Fade Listen or Solo‑In‑Place are available), the built‑in talkback and the generous eight auxiliary sends. It might also be just about compact enough for a group to use both in the studio and on the road, especially if said band is interested in getting flexible multitrack recordings of their live work. Behringer are aiming the MX3282 at both live and studio markets, and although there are only a few dedicated live features - up to four pre‑fade aux sends are available, and a handy 75Hz low‑cut filter can help cut out stage rumble, for example - the desk should prove suitable for a wide range of applications. Not only is the desk capable of 8‑track recording - or more, given a flexible patchbay - but it's also pretty compact for the facilities on offer. What we're discussing is Behringer's Eurodesk MX3282, a straight‑ahead, no‑nonsense, 32‑input desk with a clear and stylish layout. The connector‑stuffed rear panel (also featuring the name of the desk, in case you've forgotten what it's called). How does a 32 input, 8‑buss desk with a wealth of features, for under £1600, grab you? Read on. Luckily, you may now be able to afford rather more than you at first thought.
#Installing meter bridge behringer mx8000 series
This is one case (to paraphrase part one of our 'Into Gear' series last month) where you really should buy the best you can afford. The suitability, or otherwise, of your mixer to your circumstances can make the difference between a smooth‑running session and a disastrous waste of time a desk's audio quality is also critical to the finished result. In any case, few could disagree that the mixing desk is central to the modern multitrack studio, whether bijou back‑bedroom or multi‑room complex. (Many might vote for the recorder itself, but that would spoil the flow of my intro!) You could also choose the mixing desk, which sits firmly in the middle of everything, routing your sounds to tape or hard disk and back again to the real world, as you mix. There are many candidates for "most important component" in your studio: it could be the mic, that first point of contact between real‑world sound and your recording medium, or it could be the monitor speakers, which have such an effect on how you perceive your finished work. I highly recommend the Velop node.You might think you can't afford 32 inputs and eight busses - but a look at this cost‑effective console might just change your mind.
#Installing meter bridge behringer mx8000 upgrade
I would consider adding another node as I plan to also upgrade my speed with the cable company soon. So overall, this is a great product, easy to set-up, and reliable performing. I haven’t decided on final placement yet and may try linking with an ethernet cable unless I need a signal in our guest room/spare office. It is as strong as the main router so coverage is great in our two story house. I am getting a nice strong signal two rooms away and have posted some pics to show. The directions did state that placement should be no more than two rooms away so I placed it temporarily in the kitchen. I opened up the Linksys app and in a few minutes it was linked wirelessly to the network. Set up was as easy as the directions indicated. This was added as a child node to our Linksys MR9600 router as well as a few other Linksys routers that are cascaded from the MR9600. Not only is this a very good looking and solidly built unit. Nice looking and performing addition to network I recently added this to our home network and am impressed with the performance.
